
19 – 22 November
at Alexandru Ioan Cuza University
Iași, Romania
About the conference
Welcome to the 7th edition
Over the past two decades C. S. Lewis has not only persisted as a cultural icon, and his writings as cultural touchstones, but the impact of both his person and his work continues to reach into new mediums and find new expressions in fields he himself could not have imagined. Film, theatre, video games, board games, dance, sculptures, paintings, book illustrations, fanfiction – all join the continual burgeoning of academic papers and theses, biographies, monographs, personal blogs.
Since their publication, Lewis’s writings have attracted a wide range of readership and thus an ever-widening range of interpretive responses, such as reading a Narnia novel as basic religious allegory, medieval cosmology, or covert criticism of communism. The process goes both ways, for there is a consistent acknowledgment that these works can, in turn, change perceptions, perhaps even entire worldviews. Of particular interest is how his works – and those of the Inklings in general – have been received, reflected or re-invented through different cultural lenses, societies, languages, and the varying resulting impacts on readers; the variances in apprehension and (re)interpretation in literary criticism and literary history.


Keynote speakers
Meet this year's special guests

Mircea Dumitru
Talk Title
C. S. Lewis on Truth, Truthfulness and Logic
Dr. Mircea Dumitru is a Professor of Philosophy at the University of Bucharest (since 2004). Vice-president of the Romanian Academy since 2022. Executive Director of Romanian-US Fulbright Commission (since 2020). Rector of the University of Bucharest (2011- 2019). President of the European Society of Analytic Philosophy (2011 – 2014). President of the International Institute of Philosophy (2017 – 2021). Fellow of Academia Europea (since 2019), Corresponding Fellow of the Romanian Academy (2014-2021). Fellow of the Romanian Academy (since
2021). Minister of Education and Scientific Research (July 2016 – January 2017). Visiting Professor at Beijing Normal University (2017 – 2022). President of Balkan Universities Association (2019 – 2022).
He holds a PhD in Philosophy at Tulane University, New Orleans, USA (1998) with a topic in modal logic and philosophy of mathematics, and a PhD in Philosophy at the University of Bucharest (1998) with a topic in philosophy of language. Invited Professor at several Universities from Europe, USA and China.
Main area of research: philosophical logic, metaphysics, and philosophy of language. His main publications include Modality and Incompleteness (UMI, Ann Arbor, 1998), which received the Mircea Florian Prize of the Romanian Academy); Logic and Philosophical Explorations (Humanitas, Bucharest, 2004, in Romanian); Words, Theories, and Things. Quine in Focus (ed.) (Pelican, 2009); article on the Philosophy of Kit Fine, in The Cambridge Dictionary of Philosophy, the Third Edition, Robert Audi (ed.)
(Cambridge University Press, 2015).

Malcolm Guite
Talk Title
‘A Poet in Narnia?’ how a Twenty-first century English poet, re-imagined himself as a poet in Narnia’
Dr. Malcolm Guite is a poet and priest, and Life Fellow of Girton College, Cambridge. His books include Sounding the Seasons; Seventy Sonnets for the Christian Year (Canterbury 2012) and Mariner: A Voyage with Samuel Taylor Coleridge (Hodder 2017). In 2023 he was awarded the Archbishop Lanfranc Medal by the Archbishop of Canterbury. He has a YouTube series called A Spell in the Library.

James Como
Talk Title
C. S. Lewis's Grand Conversation
Dr. James Como (Ph.D. Columbia U.) is Professor Emeritus of Rhetoric and Public Communication (the City University of New York). His literary and cultural criticism includes essays on rhetoric, Shakespeare, Chaucer, Peruvian society, Sigrid Undset, Thornton Wilder, and, most recently, F. Scott Fitzgerald. A founding member of the New York C. S. Lewis Society (1969), he has appeared in four television documentaries on Lewis and written five books on him, including C. S. Lewis: A Very Short Introduction (Oxford University Press, 2019) and Mystical Perelandra: My Lifelong Reading of C. S. Lewis and His Favorite Book (Winged Lion Press, 2022). In retirement he continues to lecture, to publish short stories, and to enjoy traveling with Alexandra, his wife of fifty-seven years. Together they have two children and two grandchildren and live in Manhattan.

Simon Horobin
Talk Title
C. S. Lewis and the reinvention of Medieval Literature
Dr. Simon Horobin is Professor of English Language and Literature and Fellow and Tutor in English at Magdalen College. He has written extensively on medieval linguistic and literary topics; recent books include Bagels, Bumf, and Buses: A Day in the Life of the English Language (OUP, 2019), The English Language: A Very Short Introduction (OUP, 2018), How English Became English (OUP, 2016), and Does Spelling Matter? (OUP, 2013). He has lectured widely on C.S. Lewis and was curator of the exhibition C.S. Lewis Words and Worlds (Magdalen College, 2024) and is the author of C.S. Lewis’s Oxford (Bodleian, 2024).

Alison Milbank
Talk Title
Varieties of Gothic and Platonism in C. S. Lewis and Susanna Clarke
Dr. Alison Milbank is Professor of Theology and Literature at the University of Nottingham, having taught previously at the Universities of Virginia and Cambridge. She is particularly interested in literature that questions the limits of the material world, particularly the Gothic from Daughters of the House: Modes of the Gothic in Victorian Literature (Macmillan, 1992) to God and the Gothic: Religion, Romance and Realism in the English Literary Tradition (Oxford University Press, 2018). Her monograph, Dante and the Victorians (Manchester University Press, 1998 & 2007) examines George MacDonald’s employment of the Commedia in imagining a positive purgatorial afterlife, while MacDonald is also shown to be an influence on Tolkien in her Chesterton and Tolkien as Theologians: The Fantasy of the Real (T & T Clark, 2007). She has a strong interest in ecclesiology, with For the Parish: A Critique of Fresh Expressions(SCM, 2010), co-written with Andrew Davison and more recently, The Once and Future Parish(SCM, 2023) and is currently working on a genealogy of Anglican eco-theology and divine immanence from the Scientific Revolution onwards.

Jim Beitler
Talk Title
“Responsive Each to Other’s Note”: Reading Lewis Reading Milton
Dr. Jim Beitler is Director of the Marion E. Wade Center and Professor of English at Wheaton College, where he holds the Marion E. Wade Chair of Christian Thought. His scholarship focuses on the rhetoric of Christian witness and writing as a spiritual activity, looking to C.S. Lewis, Dorothy L. Sayers, Desmond Tutu, and other exemplary communicators as guides for faithful practice. Beitler is the author of three books—Charitable Writing: Cultivating Virtue Through Our Words (with Richard Hughes Gibson, 2020), Seasoned Speech: Rhetoric in the Life of the Church (2019), and Remaking Transitional Justice in the United States (2013)—and he teaches undergraduate courses on C.S. Lewis and J.R.R. Tolkien, Tolkien and Environmental Stewardship, and Christianity and Fantasy. He also serves as one of the hosts of the Wade Center Podcast.
Call for papers
Submit your paper
We invite papers that are explorations of:
the various ways in which Lewis's writings of various genres are both reflective of and reinvent literature and in other arts and media
how his work has been reflected and/or reinvented in both literature and other art media
variances in their apprehension and (re)interpretation in literary criticism and literary history
e.g. visual arts (book illustrations, painting, sculptures), music, drama, film, gaming, etc.
the ways in which translations of his work have been variously received and reflected in different languages and the consequences thereof
how Lewis's work has been received and expressed through different cultural lenses (e.g. English-speaking countries.vs Eastern and Western Continental countries vs African countries etc.) and the varying resulting impacts on readers
the way many of Lewis's kindred spirit writers have transposed his images, ideas, and words into their own transformative articulations
We invite papers in the fields of literary history and literary criticism, cultural studies and arts studies, linguistics and applied linguistics, aesthetics, theology, history, ethics, and education sciences but proposals on any other topics directly connected to the conference theme are welcome.
It is our hope that the discussions and explorations occasioned by this conference will contribute to a more comprehensive understanding of the work of Lewis, the Inklings and other kindred spirits, and how and why they continue to impact both academic thinking and popular culture today.
Conference presentations should be in English and will be allocated 25 minutes each, plus 10 minutes for discussion.
Participants are invited to send a 250-300-word abstract, mentioning the section that their presentation is related to, and a brief bio-note (around 100 words)
Deadline for abstract submissions:
Regular submission: July 20th, 2025
Notification of acceptance: July 31st, 2025
A selection of papers from the conference will be published in the peer-reviewed academic journal Linguaculture – listed on ERIH PLUS and DOAJ. Also, it is our intention to publish a follow-up volume.
Submissions are welcome from scholars at every career stage, and we will organise a special section for young academics as MA and PhD students.
Limited scholarships are available for students from Central and Eastern Europe.
Questions or inquiries prior to submission may be directed to Dr. Daniela Vasiliu: agorachristi17@gmail.com
Further information to follow shortly.
Call for artists
The stage is set
This year we plan to develop the emerging arts contribution to the conference so that it becomes a festival which runs in, through and around the event.
Building on the successful impact of our last event, some of the papers submitted will be art works, performance art, music or spoken word. Also, contributions such as these will punctuate and shape the lecture sessions and so enable reflection, fresh perspectives and playfulness to be woven throughout each day.
There will also be a fine art exhibition once more; an evening of theatre, music and dance; late night cafe sessions for music, poetry and comedy; and artistic interaction and seminars with students at the university and high schools.
So, this is a call to creatives, to respond to the theme of Receive, Reflect and Reinvent, and bring your contributions to some or many of these moments of expression and exploration. Painting, sculpture, dance, music, song, theatre, film, poetry, improv, stand up, spoken word, as well as craftsmanship and making in all kinds of creative disciplines.

Martin Young
Creative Director
C.S. Lewis Conference Iași